Gina Fairley shares her email correspondence with Manuel Ocampo that led up to his solo exhibition "The Painter's Equipment" (January 2011). The text includes Gina's interview on Manuel's serious engagement with the history of painting and the devices in working out the plethora of 'meanings' present in paintings. Alongside these subjects, he clarifies his position on the market and culture. His vision is further drawn out through a discussion of his current exhibitions and industrious curatorial project, "Bastards of Misrepresentation."
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This article is Eileen Legazpi-Ramirez’s exhibition notes on "Vantage," the seminal 3Anggulo group exhibition held in 2007 at Finale Art Gallery.
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Written in 2003, this article is one of Pat Hoffie's texts from her Santiago Bose archive. A seminal essay, this introduces Santiago Bose's inherited background and moves on to his resurrection of the past as his unique way of reviving Philippine culture, his initiatives and overall cultural resistance.
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